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(Tech N9ne) Got 'em all under pressure (Chorus) Hey motherf**ker hey by the Big Bad Wolf Got 'em all under pressure (Chorus)X2 (Tech N9ne) Hey


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TECH N9NE 歌詞 和訳
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Bad Guy(电风扇版)(Cover:Billie Eilish). 派三叔iPython3 Choice (Skit). Big Pun - Capital Punishment · Sriracha. Tech N9ne - The Storm (​Deluxe Edition) 伊東歌詞太郎 - 一意専心 · IFHY. Pharrell Williams - Wolf


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Colbert] was another great show; we all really enjoyed that. The album turns out to be a personal and multi-voiced diary, and the listener learns from the entries that Animal Eyes have something to share, a vision, that they are storytellers, that they have struggled music and being a young kid because there was so much community support, but it was still very limited as far as seeing live bands and going to shows. Together, the three began writing and playing as Autolux, a band that has, for no good reason, flown mostly under the radar all these years. We wanted to do something short and sweet. Its complexity mirrors ours. Someone, when we are doubting ourselves, to reassure us or to push us. Listening to their three full-lengths side-by-side, the evolution between each album is tangible. He also added another level—he has this whole dark hip-hop side of him, as well as electronic. But trying to characterize Autolux as any one genre is to cheapen their sound and deny their ability to subtly borrow from many different kinds of music. Drummer Carla Azar toured with Jack White during his Blunderbuss tour and acted in the movie Frank alongside Michael Fassbender. TL: Fleece? CA: It was the latter. And it takes a lot of pressure off. And when we met him, we realized his upbringing was with a hardcore band and that he comes from all these experimental rock bands, so he has all of these different elements in him. Meanwhile, Greg Edwards announced a reunion tour with Failure and released a new album with the group, their first since Autolux has never fit neatly within genre anyway, even though they are often presented that way, constantly compared to My Bloody Valentine and other shoegaze supergroups. This is not a straightforward album, and the delight apparent within the group throughout each song means that the listener is free to come along for a ride of crafted touch and effervescent songwriting that have been hallmarks of Animal Eyes. Especially somebody that brings something to the table like he did. I think we still make it pretty pop sensible. Just get stoned and jam. Haven will map out a full structure on the drums, the verse beat, the chorus beat, the bridge beat and this is how they all interact with each other. TL: A super new band called Each Both is popping up on the scene. We actually had a good show. He was a huge fan of ours, he knew all of our material, it was so effortless to work with him. And then playing [The Late Show with Stephen to come out. I guess that was still a while ago. TL: This feels important. Before I started singing to I enjoy for the song craft. in that aspect. We want to keep felt confident after we played and like we were pulling off writing right now. Photo by Todd Walberg we give it. our emotions and our relationships. I mean, the press loves to categorize us. Comparatively, what were some of the benefits of having it produced by someone else? We organized a lot of band than this particular album. CA: Always thinking about it. Do you worry sometimes that complexity might scare away fans looking for easy digestion? The other songs were written after my tour with Jack White. TL: But I feel art-pop is a little misleading. I totally get why, I just thought maybe if your new writing was going to go in a different direction you might want to work with someone else. It was our first really great show where Frank, or did you let Autolux go in that time to focus on your other projects? We wanted to make a classic length album, no more than 40 minutes long, instead of something really drawn out. We want new music the material. He had a lot of incredible ideas as well. Art enthusiasts will enjoy a variety of local artwork on display and sold comission-free! Their latest album, Where We Go, is of the many shades of life; at least regarding their friends, lovers and family there have been few emotions with which it has not been closely colored. TL: I always look at it like a series of journal entries. We started really writing for this record in , a little bit in com one you had produced by Boots. I remember my mom played around a campfire and be a song. From top to bottom, the true highlights of Where We Go pop up on nearly every track. kinda has its own story and own life that How do you feel about the genre title art-pop or art-rock being attached to you? You know they say being in a band is like having a bunch of girlfriends. com deftness as musicians, each successive release conveys a new level of depth, a better perception of audience, and an adeptness in layering sound that can only be achieved with time, curiosity and passion. of the Sonic Cloth Batholith Nu Shooz B. TL: It was fun growing up in Alaska because we were at a stage in music experience where jamming was still really fun and we did it all the time. HM: The biggest show I ever saw growing up was Bela Fleck and the Flecktones at the high school auditorium when I was That was the guitar player and a singer it could still be big whoop-di-doo. For sure. I know some people do this and I would like to do it someday, where we set out to make a certain kind of record. We picked the best songs we could put together on the record and they ended up on there. TL: We can really abuse each other and continue. B Scotty ATL London Jae Life During Wartime Scott Pemberton 23 SW ASH ASH STREET SALOON 4 5 6 7 8 10 11 12 13 14 15 17 18 19 20 21 22 24 Cannabidroids Coloring Electric Like 9Skys Eastern Sunz The Nouns Bad Habitat DJ ATM Disenchanter Year of the Cobra Curse of the North The Stolte Boys Barret C. The new album is filled with the unexpected: dominating synth melodies grinding up against addictive, aggressive rhythms that show a confidence and adventurousness not present on their prior releases. I think growing up listening to so much Menomena, and also Figley and I and Sam have been making music off and on since we were in eighth grade in a very communal writing fashion so it was just natural for us to do. Beyond their 17 ELEVEN PORTLAND www. That word at this point in time is a joke. The one thing we did know was that we wanted to make a shorter album. com ELEVEN PORTLAND 18 Photo by Elliot Lee Hazel features national scene Autolux live at Coachella, Photo by The1point8 ELEVEN: How was your first weekend at Coachella? But that was the only limitation we put on ourselves. Never really a break from Autolux, no matter what it feels like. Just kind of now some portraits of the human making it up. CA: With our last album, if we had met him at that point, we would have had him produce that record. HM: We had to make the live music happen. Fortunately, drummer Carla Azar had time in between weekends at Coachella to chat with ELEVEN about working with Boots, the future of the band, and what inspires her most as an artist. everything came together. com TL: A lot of times those communal singing ones are also written based around a drumbeat. Maybe this attitude was born from their time spent apart; although Autolux stayed at the forefront of all their minds, between and most of the group worked extensively on other projects. Around that same time Azar met Greg Edwards while he was touring with his band Failure. Totally DIY. ST: Sama Dams is one of the best Portland bands, along with Chanti Darling and Yeah Great Fine. Because the other times one of us will just write a song in our bedroom and then take it to each other and say "hey what do you guys think? CA: I would have to say yes. Colin McArthur: But it was great. The Third Man Records show was a great show. CA: There have been a couple. I feel like the toughest TL: Anchorage, which would be a four-hour drive to see a rock band. And with us we are so comfortable Some the lighter situation where you can just break up. Get ahead of the game. NE HOLLYWOOD NE Sandy Blvd com ELEVEN PORTLAND 16 little more than 15 years ago, Los Angeles played matchmaker in the way that only a city so big and buzzing can, fating Eugene Goreshter and Carla Azar to meet, working on a movie score. com ELEVEN PORTLAND 20 features national scene What was the writing and collaboration process like CA: There were a couple inspiring things.{/INSERTKEYS}{/PARAGRAPH} SE LADD'S SE 11th Ave com 21 NE GLISAN THEATER 22 STAR 13 NW 6TH CLUB 21 3 6 7 10 12 13 15 16 20 21 22 27 28 The Von Trapps Portland Funk Fellowship Shafty Nothing But Thieves The Wrecks Modern English Soft Kill Underpass Lunch Richmond Fontaine The Minus 5 Mike Coykendall Turkuaz Wild Belle James Supercave Witch Mountain Bros. {PARAGRAPH}{INSERTKEYS}very limited. Figley: Fog Father. What drew you to that?